What the i–VI–III–VII progression sounds like
The pop axis from the relative minor; emotional and huge. In A minor it's Am F C G.
You'll find it in Minor-key songwriting songwriting.
Scales that fit i–VI–III–VII
Over this progression in A, the best-fitting scales are A Natural minor (Aeolian), G Mixolydian, A Dorian. Put your own chords into the scale finder to see more.
i–VI–III–VII in every key
| Key | Chords |
|---|---|
| A minor | Am F C G |
| E minor | Em C G D |
| B minor | Bm G D A |
| F# minor | F#m D A E |
| C# minor | C#m A E B |
| G# minor | G#m E B F# |
| D# minor | D#m B F# C# |
| Bb minor | Bbm Gb Db Ab |
| F minor | Fm Db Ab Eb |
| C minor | Cm Ab Eb Bb |
| G minor | Gm Eb Bb F |
| D minor | Dm Bb F C |
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Common questions
What are the chords in the i–VI–III–VII progression?
In A minor the i–VI–III–VII progression is Am F C G. The pattern is the same in every key; the table above lists all 12.
What scale goes with i–VI–III–VII?
In A, the A Natural minor (Aeolian) fits best. G Mixolydian and A Dorian add different colors.
Last updated November 14, 2026.